With eyes on the new glazed pavilion designed by Renzo Piano Building Workshop, here’s a look back at Louis Kahn’s original Kimbell, which put the institution. The Kimbell Art Museum by architect Louis I. Kahn was built in Fort Worth, Texas, United States in Past show featuring works by Louis Kahn at Kimbell Art Museum Fort Worth, Camp Bowie Boulevard Mar 26th – Jun 25th

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Louis Kahn / Kimbell Art Museum

A relatively thick concrete arch was added to each end of loouis shells to stiffen them further. Kahn was deeply troubled by the negative impact of the automobile on city life; he once spoke of “the destruction of the city by the motor car. By using this site, you agree to loyis Terms of Use and Privacy Policy. The narrow skylights that are along the vaults are on the inside of aluminum reflectors, while the galleries provide a diffuse natural light.

Kahn Building

After visitors ascend to the gallery level of the new building, they can exit it and walk across the lawn and the courtyard to enter the original building as Kahn had intended. Art museum in Texas, USA.

As with many institutions that built its first building, the program took into account the future objectives of the museum, assigning a large space to kimbelo growing collection of art, thus giving visibility to the institution and become one of the main attractions of the city. Inbefore the museum even had a building, founding director Brown included this directive in his Policy Statement: The building was designed by architect Louis I.

Architecture is better explained in images Follow us on Instagram! Through the drill penetrates the daylight, in order to soften the contrast between the reflector and the cement vaulting. It was a such a beautiful museum to see in person and I had a fantastic time taking pictures since everywhere you look is another incredible detail.


In many buildings, and especially at the Kimbell Art Museum, light performs a crucial role—illuminating the space and creating a mood. Further research by Marshall Meyers, Kahn’s project architect for the Kimbell museum, revealed that using a cycloid curve for the gallery vaults would reduce the ceiling height and provide other benefits as well.

In particular, far away in another time and visible from the site, there was a grain silo, then demolished. The exhibition Louis Kahn: Hoping to post more this week, but thanks for keeping up with the gilded owl!

After graduating from Auburn and getting married! Great combination with Suite Kahn and the Nature of Concrete”. Louiw Read Edit View history. After interviewing a number of prominent architects, the museum hired Louis I. Brown also expanded the Kimbell collection by acquiring several works of significant quality by artists like DuccioEl GrecoRubensand Rembrandt.

Kahn, however, insisted on a vaulted roof, which would enable him to create galleries with a comforting, room-like atmosphere yet with minimal need for columns or other internal structures that would reduce the museum’s flexibility.

Kimbell Art Museum – Wikipedia

The culmination of the exhibition is represented by the section Community, which expresses how essential the social significance of architecture was to Kahn and how he derived new forms for public buildings from it. Kahn who designed a series of galleries oriented north to south with vaulted ceilings, which have a central slit of light.

Kahnsays the entry gallery is “one of the most beautiful spaces ever built,” with its “astonishing, ethereal, silver-colored light. Creating the right look to the concrete was a matter of serious importance to Kahn, who went to great lengths to select the proper color soft gray with lavender tones determined by the mixture of sand and cement.

Additionally, three courtyards punctuate the interior space. Retrieved from ” https: Hope you and your family are well. Kahn constantly stressed the importance of light in relation to structure.

Brown as director of the museum in for the realization of the vision and program design of the institution, as well as to increase its collection. Building Art, Building Science. For example, on the floor, wood sections measure 20 feet and travertine sections are 10 feet.


For information, call Kahn and opened to the public for the first time inhas become a mecca of modern architecture. Kahn preferred simple forms and loouis materials. True vaultssuch as the Roman vaults that Kahn admired, will collapse if not supported along the entire lengths of kibell side.

The basic plan is composed of sixteen cycloid vaults x 20 feet that are arranged in three parallel units of six, four, and six in the Kimbell. In addition to revealing the building’s structure, these features bring additional natural light into the galleries in a way that is safe for the paintings.

Andy — great photos…it is an amazing place. Highlights of the exhibition include a foot-high model of the spectacular City Tower designed for Philadelphia —57as well as previously unpublished film footage shot by Nathanial Kahn, the son of Louis Kahn and director of the film My Architect.

Lee has been the director since March ; Kay Fortson, president of the Kimbell Art Foundation and a key figure in the creation of the original building; Ben Fortson, a trustee; and Sue Ann Kahn, Louis Kahn’s daughter and a vocal opponent of the original plan for expansion. Opening its doors to the public in marked a new milestone in the work of Louis I. Upon accepting the post, Brown declared that the new building should itself be a work of art, “as much a gem as one of the Rembrandts or Van Dycks housed within it.

The design of the Kimbell Museum of Fine Arts, built between andoffers its linearity in the will of contact with the exterior: Kahn November 26,